TLDR: The groundbreaking generative AI-only film, ‘Post Truth,’ directed by Alkan Avcıoğlu, is set to make its international debut at the Warsaw Film Festival from October 10-19, 2025, following a successful theatrical run in Turkey in July. This pioneering feature-length documentary, with all visuals, sound, and voice crafted entirely by artificial intelligence, is sparking significant debate within the film industry regarding authorship, creative credits, and the evolving landscape of cinematic production.
The cinematic world is abuzz with the impending international launch of ‘Post Truth,’ a feature-length documentary uniquely produced entirely by artificial intelligence. Directed by Alkan Avcıoğlu, the film is slated for its global premiere at the prestigious Warsaw Film Festival, running from October 10-19, 2025. This follows its initial release in Turkish cinemas across approximately 20 cities in July, where it garnered positive reviews from local critics.
‘Post Truth’ stands out as a landmark achievement, with its visuals, sound, and voice components all generated exclusively by AI. This innovative approach has propelled the film into the spotlight, prompting crucial discussions about the future of filmmaking, the definition of authorship, and the implications for creative credits and royalties in an increasingly AI-driven industry.
Bartek Pulcyn, programming director for the Warsaw Film Festival, emphasized the film’s significance, stating, “Artificial intelligence is entering the world of cinema more and more boldly — often supporting human work in hidden ways, sometimes even replacing it.” Pulcyn added that ‘Post Truth’ openly utilizes AI to ‘ask fundamental questions about the present and the future of the world and humanity.’ Director Alkan Avcıoğlu himself has defended the work, clarifying that ‘Post Truth’ is not merely ‘a cheap trick showcasing AI or a gimmick, but a conceptual, in-depth exploration of the boundaries of what a documentary can be.’
Avcıoğlu’s journey to this pioneering project is notable. He transitioned from a career as a film critic and acquisitions specialist, leaving the traditional film industry in 2022 to delve into AI storytelling. Since then, he has established himself as an AI visual artist, with his works exhibited at prominent art fairs such as Paris Photo and Art Basel Miami, and even auctioned at Christie’s. His recent collaborations include an exhibition with renowned photographer Edward Burtynsky.
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The international debut at Warsaw is expected to accelerate industry conversations among distributors, buyers, and streamers regarding licensing AI-generated content and establishing new policies for credits and residuals. While some critics laud the innovation, others express concerns about the potential loss of human craft and the impact on traditional screen credits. The film’s premiere is set to be a pivotal moment, challenging established norms and potentially redefining the landscape for filmmakers and audiences alike in 2025 and beyond.
