TLDR: Oscar-winning director Guillermo del Toro has vehemently rejected the use of generative artificial intelligence in filmmaking, stating in an NPR interview that he would ‘rather die’ than employ such tools. He views AI as antithetical to human creativity and craftsmanship, drawing parallels between the arrogance of Victor Frankenstein and modern ‘tech bros’ who create without considering consequences. Del Toro emphasizes his commitment to traditional, human-driven artistry, particularly in his upcoming Netflix film ‘Frankenstein’.
Oscar-winning filmmaker Guillermo del Toro has made a definitive and dramatic statement regarding his stance on generative artificial intelligence in the creative arts, asserting that he would ‘rather die’ than utilize such technology in his films. This strong rejection was voiced during a recent interview with NPR, where del Toro, known for his visually distinctive and emotionally rich works like ‘Pan’s Labyrinth’ and ‘The Shape of Water,’ discussed his upcoming Netflix adaptation of ‘Frankenstein’ and his broader views on technology.
Del Toro, who is 61, expressed a deep-seated disinterest in generative AI, stating, ‘AI, particularly generative AI, I am not interested, nor will I ever be interested. I’m 61, and I hope to be able to remain uninterested in using it at all until I croak.’ He recounted a recent email exchange where his response to a query about his AI stance was simply, ‘I’d rather die.’ This blunt declaration underscores his unwavering commitment to human-driven artistry and traditional filmmaking methods.
The director elaborated on his concerns, drawing a poignant parallel between the hubris of Victor Frankenstein, the titular character in Mary Shelley’s novel, and what he perceives as the ‘arrogance’ of modern ‘tech bros’ in the AI development space. He suggested that both create without adequately considering the potential consequences of their innovations. Del Toro quipped that his primary fear isn’t artificial intelligence itself, but ‘natural stupidity,’ which he believes drives the mishandling of technology and ‘most of the world’s worst features.’ He urged a collective pause to consider the direction in which technology is leading humanity.
For del Toro, the essence of filmmaking lies in ‘alchemy’ derived from emotion, spirituality, and human experience, elements he believes cannot be replicated by ‘ones and zeros.’ He champions the ‘imperfect magic of human craftsmanship’ and the risks inherent in the creative process. His philosophy is evident in his body of work, which often prioritizes tactile monsters, practical effects, and meticulously crafted sets over digital shortcuts. His upcoming ‘Frankenstein’ film, set to premiere on Netflix on November 7, reportedly adheres to this ethos, with a focus on physical design and human artistry for its creature effects.
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Del Toro’s firm position adds a significant voice to the ongoing industry-wide debates about AI’s role in creative fields. His rejection highlights a growing divide between technological adoption and artistic purism, resonating with many artists, writers, and filmmakers who fear that delegating storytelling to algorithms could strip cinema of its soul and reduce art to mere product.
